Wednesday, July 13, 2016

The New Yorker: The Frida Kahlo cult.


Kahlo’s “Me and My Parrots” (1941). 
Her self-portraits are about her gaze, as subject matter, technique, and content.COURTESY BANCO DE MÉXICO DIEGO RIVERA & FRIDA KAHLO MUSEUMS TRUSTLink to the article at The New Yorker

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